3,829 Royalty-Free Audio Tracks for "Major Chords"

Audio files of spanish guitar chords

Audio files of spanish guitar chords

12-1 (chromatic) dodecachord on C

3-9A trichord on C. Sus2 chord.

Iidim6 chord in C.

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Audio files of spanish guitar chords

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

1st movement from J. S. Bach's Italian Concerto played on piano

Scale of the Locrian mode starting on C [ogg vorbis sound file]

3rd movement from J. S. Bach's Italian Concerto played on piano

Scale of the Aolian mode starting on C

Parody of Gilbert & Sullivan's "Major General's Song"; the words are my own; the music is now Public Domain (first published 1879; Sullivan, composer, died 1900)

Major chord on C in 17 equal temperament (0,5,9).

Scale of the Phrygian mode starting on C [ogg vorbis sound file]

2nd movement from J. S. Bach's Italian Concerto played on piano

Guitar chords b major.

A major chord acoustic.

D major acoustic chord.

E major acoustic chord.

E major acoustic chord.

Disco intro.

G major scale note g a b c d e f g.

Shuffle pattern with staggered thirds played on piano.

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Secondary chords in Mozart K 475.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

So What chord.

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

An arpeggio.